And what's lovely about Millay's poetry is that it's not that lovely at all - it's sad and happy and cynical and witty - and it's defining characteristic is Edna herself: hers is a clear, defiant voice that rails with humour against love, loss and the realities of her life, whilst speaking about relationships, mortality and the world at large in the most tender and insightful way.
13.2.12
Review: Everyman's Library Pocket Poets - Edna St Vincent Millay
This poetry anthology, Everyman's Library Pocket Poets' edition of selected poems of Edna St. Vincent Millay, came to me as a Christmas present from someone who kindly picked it off my Amazon wish list. It had been on there for a while, an anomaly amongst the more modern stuff, as I knew a few poems of hers from other anthologies and was desperate to read more. This Everyman volume is a beautiful slim volume that is as attractive and lovely as the poetry inside.
And what's lovely about Millay's poetry is that it's not that lovely at all - it's sad and happy and cynical and witty - and it's defining characteristic is Edna herself: hers is a clear, defiant voice that rails with humour against love, loss and the realities of her life, whilst speaking about relationships, mortality and the world at large in the most tender and insightful way.
And what's lovely about Millay's poetry is that it's not that lovely at all - it's sad and happy and cynical and witty - and it's defining characteristic is Edna herself: hers is a clear, defiant voice that rails with humour against love, loss and the realities of her life, whilst speaking about relationships, mortality and the world at large in the most tender and insightful way.
10.2.12
Songs about Writers
Labels:
Miscellaneous,
Music,
Regina Spektor,
Writing Theory
7.2.12
200 Years of Dickens
So, we have made it through all the Dickens chat, coverage and hype to the actual bicentennial day of his birth on the 7th February 1812.
I have chatted about him A LOT lately, so rather than chat about him some more, I thought I might let Claire Tomalin do it, with one of the most impressive paragraphs of her biography of him, which also happens to be the very last one of the book:
'He left a trail like a meteor, and everyone finds their own version of Charles Dickens. The child-victim, the irrespressibly ambitious young man, the reporter, the demonic worker, the tireless walker. The radical, the protector of orphans, helper of the needy, man of good works, the republican. The hater and lover of America. The giver of parties, the magician, the traveller. The satirist, the surrealist, the mesmerist. The angry son, the good friend, the bad husband, the quareller, the sentimentalist, the secret lover, the despairing father. The Francophile, the player of games, the lover of circuses, the maker of punch, the country squire, the editor, the Chief, the smoker, the drinker, the dancer of reels and hornpipes, the actor, the ham. Too mixed to be a gentleman - but wonderful. The irreplacebale and unrepeatable Boz. The brilliance in the room. The inimitable. And, above and beyond every other description, simply the great, hard-working writer, who set nineteenth-century London before our eyes and who noticed and celebrated the small people living on the margins of society - the Artful Dodger, Smike, the Marchioness, Nell, Barnaby, Micawber, Mr Dick, Jo the crossing sweeper, Phil Squod, Miss Flite, Sissy Jupe, Charley, Amy Dorrit, Nandy, hairless Maggie, Sloppy, Jenny Wren the dolls' dressmaker. After he had been writing for long hours at Wellington Street, he would sometimes ask his office boy to bring him a bucket of cold water and put his head into it, and his hands. Then he would dry his head with a towel, and go on writing.'
Happy Dickens Day everyone!
3.2.12
In My Mailbox, No. 5
So here we are in February, which means it's time for another In My Mailbox, as hosted by The Story Siren:
30.1.12
Songs about Writing
Labels:
Ellie Goulding,
Miscellaneous,
Music,
Writing Theory
27.1.12
Review: 'Charles Dickens: A Life' by Claire Tomalin
The world is a veritable Dickens-fest at the moment, and there is zero point in fighting it.
Actually, I wouldn't, because I'm quite enjoying it, not least (smug) for the number of people around me who are happy to rhapsodise on the importance of Dickens whilst having never read a word of it: I know for a fact that there is a certain Head of Something Bookish in my city who only opened a free download of 'Great Expectations' just before Christmas, despite the fact that he'd already been planning all the bicentennial celebrations and related work in schools for the best part of a year, singing Dickens' praises all the way. Oh the shame.
Actually, I wouldn't, because I'm quite enjoying it, not least (smug) for the number of people around me who are happy to rhapsodise on the importance of Dickens whilst having never read a word of it: I know for a fact that there is a certain Head of Something Bookish in my city who only opened a free download of 'Great Expectations' just before Christmas, despite the fact that he'd already been planning all the bicentennial celebrations and related work in schools for the best part of a year, singing Dickens' praises all the way. Oh the shame.
Anyway, I bought Claire Tomalin's 'Charles Dickens: A Life', just before Christmas, out of sheer curiosity, desperate to read it and see what it was about. The thing is, there are a few people in my sphere who dislike this book immensely, regarding it as a libellous travesty, whilst there are those who think it is wonderful, and a deservedly honest account of a very complex man. All this, naturally, made me keen to read it myself and wade into the fray.
23.1.12
Lyndsay, Put the Pen Down...
It's been a funny couple of weeks, laced with New Year's revelations and a generous amount of carpet-whipping from under feet, disillusionment, and the such like. Look for further details in a novel of mine in twenty years' time.
Naturally, this is made me want to work, as writing is therapy to me, as I'm sure it is to you, so I buried my head in my computer this past week, only receiving the odd electric shock. Whilst on my internet travels, I saw that the submission deadline for a lit mag I like was the coming weekend, and I had a piece hanging around my computer that could be welded to fit the theme. The particular piece that was hanging around was a bit of a sore nerve, or, more literally, a representative of one, as I spent FOREVER on it, submitted it to Elle UK Writing Competition a few months ago, and sat around hoping that maybe it would go somewhere. Unfortunately, I didn't place *sob* (you can read a finalist's entry here), so gutted as I was, and as dramatic as I am, I decided that piece was dead, never to be looked at again.
Labels:
Miscellaneous,
Writing Theory
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