Showing posts with label Megan Abbott. Show all posts
Showing posts with label Megan Abbott. Show all posts

19.11.12

'The End of Everything' by Megan Abbott

I bought The End of Everything by Megan Abbott upon seeing it in the window of my local charity shop, having read about her newest novel, Dare Me, on The Million's Most Anticipated List back in July this year. Megan Abbott is an enormously well-regarded crime writer in many circles and I was excited to see what all the fuss was about.

The End of Everything, Abbott's sixth novel, is the fractured, complex story of Evie and Lizzie, two incredibly close teenage friends who do everything together until Evie suddenly disappears from their quiet suburban street. This horrific, life-changing occurrence leads Lizzie to question everything about the people around her, and also her relationship with Evie, given the unsavoury and confusing truths that steadily emerge.

I thought this book was beautifully, if  breathlessly, written, and captures the manic, deceptive confusion of Lizzie, the main character, who narrates the story to the reader in moment-to-moment retrospect both before and after Evie's disappearance. That same breathlessness has been a common feature of a few books I've read lately - namely, Portrait of the Mother as a Young Woman and Beside the Sea - so to my mind, considering the content of the other titles also, this type of heavily comma-ed, freely associating narration is becoming the mark of a female narrator drowning in their circumstance:
Voices pitchy, giddy, raving, we are all chanting that deathly chant that twists, knifelike, in the ear of the appointed victim. One o'clock, two o'clock, three o'clock, four o'clock, five o'clock...And it's Evie, she's it, lost at choosies, and now it will be her doom. But she's a good hider, the best I've ever seen, and I predict wild surprises, expect to find her rolled under a saggy front porch or buried under three inches of dirt in Mom's own frilly flower bed.
The characterisation in this book is great - the few primary characters are vivid and well-drawn - and the incessant darkness and slightly unreliable narration gave me a nightmare or two and drove the my morbid curiosity right through to the end. A great twist comes about two-thirds of the way through which sends the book off in an unexpected direction, and the revelations and final conclusion are all expertly handled. Abbott has a multitude of haunting and perceptive things to say about the burgeoning sexuality of teenage girls, sibling rivalry, the secrets of those closest to you, and also about the varying relationships that girls can have with their fathers.

This was a dark, immersive read which is beautifully written and fulfils its potential, but I was surprised to find that it left my psyche much sooner than anticipated. I'm keen to read other Megan Abbott books, having enjoyed this, but I may well donate this book to the charity shop where I found it as I feel no keen need to keep it near or to plan a re-read. I think it's probably fair to say that I respected it for its objective literary excellence, rather than took it to heart for its emotional impact, but it's a good book all the same.

Title: The End of Everything
Author: Megan Abbott
Publisher: Picador
Date: 2011
Format: 246 pages, paperback, and I bought it.
 

17.10.12

New Arrivals

I've been a bit naughty these last few weeks: I kinda promised that I would read the unread books I have before buying any others and would go to the library if there was anything I was desperate to get my hands on before then....

...obviously, fail - duh - so an In My Mailbox-type post seemed totes appropes.

First, I went to a day of Charleston's 'Small Wonder' short story festival, which was fabulous, and attended a talk called 'Dark Corners' with Sarah Hall and Elif Shafak. From that I came away with this,The Forty Rules of Love by Elif Shafak. She was actually there talking about her most recent book, Honour, but I'd heard her talk about this one on The Book Show previously and quite fancied approaching her work a little more chronologically.


'Discover the forty rules of love...
Ella Rubenstein has a husband, three teenage children, and a pleasant home. Everything that should make her confident and fulfilled. Yet there is an emptiness at the heart of Ella's life - an emptiness once filled by love.

So when Ella reads a manuscript about the thirteenth-century Sufi poet Rumi and Shams of Tabiz, and his forty rules of life and love, her world is turned upside down. She embarks on a journey to meet the mysterious author of this work.

It is a quest infused with Sufi mysticism and verse, taking Ella and us into an exotic world where faith and love are heartbreakingly explored...'

Then, after attending Messages from Angela Carter which featured a fabulous reading of her classic 'The Tiger's Bride' which you can listen to by clicking on the link, we went to What Are You Looking At? with Will Gompertz, which was hilarious. So hilarious, in fact, I bought the accompanying book.

According to the blurb, by reading What Are You Looking At?: 150 Years of Modern Art in the Blink of an Eye you will learn:

'Conceptual art isn't actually rubbish
Picasso is a genius (but Cezanne might be better)
Pollock is no drip
Cubism has no cubes
A urinal changed the course of art
And why your five-year-old really couldn't do it.'

Excited about this.


Then, this week, charity shop! Who can resist at £1.99...?

 

A modern classic. I think the copy I read before must have been a library book as I don't have it, but I re-watched the film the other night - Scarlett Johansson still blows my mind - and then bumped into this copy, so it seemed like fate.





 
Everything I've heard about Megan Abbott has been unanimously wonderful, so I'm itching to get into this, and then maybe search out Dare Me, her most recent one, which featured on The Million's Most Anticipated Listearlier this year.





 


I bought Vikram Seth's  An Equal Music because I will be absolutely bereft when A Suitable Boy ends. *sob* I hope this is just as rich, moving and epic.





 

The purchasing of  Daughter of the River: An Autobiography by Hong Ying proves yet again that Asia has a huge pull on my imagination, and that comparing something to 'Wild Swans' is the best way to get me to buy anything at all :)

6.7.12

The Million's Most Anticipated List

A few days ago The Millions published their Most Anticipated: The Great Second-Half 2012 Book Preview, listing all the book they were most excited about coming out before the end of 2012. I urge you to check out the full list yourself, but these are my personal picks from the list:


'Dare Me' by Megan Abbott, which is actually already out in the UK, published by Picador, is a dark look at the competitive world of cheer-leading and the modern adolescent psyche.  Her last book, 'The End of Everything', was highly acclaimed and The Millions reckons this book could make her 'the head honcho of suburban noir', so very curious about this.






 'NW', out in September in the UK and the US, is Zadie Smith's first novel in 7 years and concerns a fictional council estate called Caldwell in north-west London and the people who live there.
 
'White Teeth' has always been an important book to me, and I really enjoyed 'On Beauty's treatment of Howard's End, so I hope this new one will be just as good. Fingers crossed she doesn't go all 'Autograph Man' on me - that book went way, way over my head.



'Heroines' by Kate Zambreno is my next pick, although this book will be the first of hers that I've read. It's about, interestingly, the wives and mistresses of artists who are essential muses in their heydays but often end up silenced or erased. I think I become more political by the day, if I'm honest, especially with regards to women's politics, so this is the kind of book that I need. Also, Jezebel loves her, as does The Hairpin, and seeing as those are the two places I generally hang-out online, I reckon I will too. This one's out in September.




'Sweet Tooth' by Ian McEwan is my final pick, which is out in the UK in August and the US in November, and is apparently le Carre-meets-'Atonement' which makes me very excited as I recently made my happy way through 'Tinker Tailor Soldier Spy' and 'Atonement is one of my all-time faves.
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